Visual Effect Supervisors Rob Talbert & Mag Sarnowska talk to The Inside Reel about their creative process, experimentation, the balance of scientific logic and artistic beauty win regards to the home entertainment release of their Amazon MGM Studios' film "Project Hail Mary" from Alliance Home Entertainment.

Actors Heike Makatsch & Axel Stein talk to The Inside Reel about pitch, balance humor and approach in regards to the 2nd season of their Apple TV dramedy: “Where’s Wanda”.

Actress Lea Drinda talks to The Inside Reel about tone, energy, characterization and inhabiting a world in regards to the 2nd season of her Apple TV dramedy: “Where’s Wanda”.

After the intention of "Godzilla Minus Zero", a follow-up was inevitable but the trick was to try to make it bigger while still pulling at the heartstrings. The first one comparably has a more existential element in who is Godzilla and his destructive power. It took a smaller story about a pilot wanting to find a way back home, especially after the war and make something better. Godzilla, as always, is a metaphor beyond anything else.

The aesthetic of surrealism is based in the idea of what the end game of a character is. "The Cat In The Hat", like the "Monsters Inc." crew later are doing a job but it comes down to the endgame. Bill Hader provides the voice of Cat and that manic connotation of what the Cat actually represents is a really cool motif of the film. It uses certain essences of the concept of say "Inside Out" but using a more linear progression.

With some of the previews, one would suspect that "Wicker" is Much more naughty than it is. Though it does play to that inherent strength and novelty, it is surprisingly sweet but it is an innocuous fable on class and social norms. The spin has to do with Peter Dinklage’s character who can somehow make a living creator from wicker (or other materials for that matter).