The context of "Chevalier" reflects in a concept of acceptance versus social justice and how perspective and perception both leads and deceives. After an interesting turn in "Cyrano" last year, Kelvin Harrison Jr. comes to the forefront as the lead character here showing both the depth, conflict (and artifice at times) that the character requires.

The aspect of remote horror combined with mythology can sometimes be played to good effect but only specifically if it has a reveal with a texture of exposition. With "The Tank" directed by Scott Walker, the basis of what transpires has the realm of creature feature but with a small amount more, there would have been a much bigger world for it to inhabit.

The context of an exorcism movie always paints back to the initial vision of "The Exorcist" which has its own mythology. The reason "The Pope's Exorcist" works on many levels is because it takes the existing history of the church and of Europe into the equation anchored by a solid and engaging performance by Russell Crowe.

The modern connotation of "Dracula" is bathed in mythos but ultimately the reference is correlated to Vlad The Impaler. With "Renfield", the texture is more integrated into the self help wokeness that would never even have entered the lexicon years ago.

With nostalgia the basis always begins with where the idea of the connection began. An interesting illustration of the Super Mario craze is that it stretches over generations which is both good and bad because there are many different interpretations. This partly explains why "The Super Mario Brothers Movie" is all over the place.

"AIR" as a movie is a specific exercise in a way but the reason it works is because the people making it have a certain freedom without being exploitative. It is a very specific story told with good actors in an almost compacted space with a sense of scale.

The context of "Dungeons & Dragons: Honor Among Thieves" is an ode on loss wrapped in an element of fantasy. The movie is wonderfully cast and has a light tone that is very hard to walk in this type of genre.

The tenaciousness of John Wick has turned into something ethereal, less realistic in any sense and more the aspect of myth in his path of nilistic existence. With "John Wick: Chapter 4", the ampage continues to build but like samurais of old, using certain contemplations and ideas of what can be to make the world spin.

For a sequel that seemingly wasn't sure of the tone of the original, "Shazam! - Fury Of The Gods" as an overall approach is a hit-and-miss proposition. While the themes work, most of the narrative structure and progression is a bit muddled and messy.