Alex Cox has always done things his way and with what is marketed as his final film: “Dead Souls” is an interesting interplay on the notion of reality and the con. Made on a shoestring in the middle of Spain, it pays tribute to the spaghetti westerns but with a character called Strindler who wanders in like a bad tax accountant and stirs up trouble, the play is about what we believe. Cox himself plays the man with an earnestness but also a mysteriousness that never really comes to bear but also delivers in many ways.

"Tommaso" is an interesting examination of a director in a different world. It is like Godard in reverse but one which is now his home. It is a fascinating if not maddening diatribe at times examining the normality of life and how your brain and lifestyle can adjust.