The inset of "Jensei" is an interesting play using a context of today which in other cultures maybe depicts a context of popularity but how the intent of society and time disassembles the reality of staying power is the true barometer. Ryuza Suzuki as the director hand drew the entire film over an 18-month period. While certain parts are low fi, as the film expands especially between certain aspect ratios, it uses the idea of practicality to show a window into certain psyches and disconstructs them in a very existential way

Mary Elizabeth Winstead has always moved to the beat of her own drum, not adhering to what anyone should think about who she is or the choices she makes. She likes bad asses, understated but also strategic.