The aspect of a film like "The End Of Oak Street" is mixing different natures of the 80s films we know and love. The trailers gave away the concept but not the full play of its tendencies. Producer JJ Abrams obviously has a soft spot for this type of films. It plays out well but also expects you not to look too hard at the plot holes while still enjoying its rewards.

The film here feels right. It is the best made of this trilogy of films mating some of the basic risks that Abrams might have avoided with “Force Awakens” which felt infinitely too safe but also keying into aspects of what fans would like to see.