Seeing the original version of Rene Laloux’s "Gandahar" is an interesting perspective as it was restored now in 4K. This reviewer had heard of a movie called "Light Years" which the Weinsteins picked up back in the 90s, re-edited it slight and put a new voice cast and score on. It disappeared from view and likely got caught up with rights and clearances. The original French animation film owes more to "Heavy Metal" and maybe some Ralph Bakshi though the story itself is interestingly prescient.

Writer/Director Luc Besson, with his take on the horror romance of “Dracula” with Caleb Landry Jones (who starred in his previous "Dogman"), has definitely an interesting play that is both similar and yet different from Gary Oldman and Francis Ford Coppola. It does change certain key elements and takes away certain character but doesn't suffer for it.

The aspect of wanting a better life can be reflexive depending on what is willing to be sacrificed. With the throughline of "The Origin Of Evil", the basis comes on the conception of what becomes psychopathic behavior and where does it completely cross the line (there is one very good barometer). Laura Calamy as the lead Stephane does so from almost the inception in her very existence in terms of her disassociative behavior.

The context of "The Nun II" has to do with progression of character versus context of the journey. After the events of the first film, the ideas of faith versus intent would seem to be a solid approach for the sequel. While this film does it admirably on certain levels including via locations, visual style and efficient storytelling (for the most part), it does have some issues.

The context of "Chevalier" reflects in a concept of acceptance versus social justice and how perspective and perception both leads and deceives. After an interesting turn in "Cyrano" last year, Kelvin Harrison Jr. comes to the forefront as the lead character here showing both the depth, conflict (and artifice at times) that the character requires.

In "The Swarm", hailing from France, there is a sense of loss and longing in the character of Valerie (played Suliane Brahim) who is growing locusts to create flour. But like anything...too much becomes overwhelming.

. In "How I Became A Superhero", made in France and premiering on Netflix, it takes the idea not of the antihero but more specifically the idea of what people want to become who are empowered with superhuman abilities.