The initial concept of "The Running Man" has a dexterity of vision. When the original with Arnold Schwarzenegger was made, it was a 80s action movie built in a certain essence of cheese and Cannon film fodder which in itself is its own art form. The new "Running Man" starring Glen Powell and directed by Edgar Wright has good intentions but it never quite gets to its break point despite some interesting sequences.

The essence of perception always builds in the ideas of what can be seen. The texture of "Last Night In Soho" can be a reflection of two truths but with both being paved in a necessity of their own existence. Both lives that the story follows can be misjudged or misaligned.